Archive for March, 2008

My First Post - A little history

Monday, March 31st, 2008

I thought it might be interesting to share the experience of writing, recording, hiring band members, marketing, booking, and performing my first instrumental CD. I have set a goal to complete the CD by the end of summer 2007. I turned 45 years old in June 2006. I have been in numerous bands, owned a recording studio, and co-wrote an original CD that I sang lead vocals and played sax on. I grew-up in Marin County, was indoctrinated into rock and roll by Tommy Rox, learned jazz from Larry Vinucci while working at San Rafael Joes, and played along with Sanborn records for hours. I took a few years of vocal jazz at College of Marin, studied scat singing by listening to Ella, King Pleasure, Eddie Jefferson, and Eddie Hendrix. Moved to LA and took a few years of broadcast engineering and recording engineering classes. Played in numerous bands, bought a recording studio, And recorded the “Gemini” CD. In 1988 Milli Vanilli won a Grammy for “Artist of the Year” and I saw an ad for ADAT’s in a trade publication… Something told me to sell the studio and move back to the Bay Area (1989).

Back in Marin, I took a job at Bananas at Large in San Rafael, got married, had a beautiful daughter named Jordan, and played music in the evenings. After 3 years at Banana’s I took a job with a multimedia company creating interactive CD’s. Very cutting edge and musical. We produced one of the first enhanced CD’s at that time called “Prestige Studio’s of the World”. 3d tours of some of the best recording studios in the world. Got divorced… moved to Fairfax, and joined the band Big Muddy. One of the best bands I have ever played with. A 12 piece Louisiana Blues Funk Rock band. Davey Pattison on Vocals of Robin Trower, Montrose, and Gamma fame, Steve Canali who played slide guitar with the Doobies… to name a few. Had this band been able to keep 12 pro’s working I would probably be retired…smile… Of course I would still be playing music as I just can’t seem to stop.

Fast forward 1996… While Big Muddy played in the evening I began building an internet start-up called AdAce. Raised 2 million dollars, hired 24 employees, and somehow ended up CEO of an automated advertising company during the day, while continuing to play music at night. I met my wife, soul mate, and best friend during this time. She was married to the drummer in Big Muddy, and all I could do was enjoy her company as I thought they were a great couple. After a few years of me trying to get her to work for my internet start-up, which she always politely answered… you can’t afford me… fate, destiny, or just my Irish luck changed my life.

Ayaimah (Ima) and I lived together for 3 years, had our beautiful son Spencer, and bought our first home in Vallejo. I took a job with NHT a company specializing in Home Theatre Speakers, and Ayaimah continued to climb the corporate ladder in the medical communications field. Most of the employees at NHT were musicians, so we took frequent breaks to jam in the warehouse. Was a great gig while it lasted. After three years at NHT and a move to our current home in Benicia, we decided one of us needed to be available for the kids. Well, we drew straws, played ro-sham-bo, chose numbers between 1 and 10, and then decided that we should just be logical. She was earning more than I, and I really wanted to be there for the kids, as I love seeing things through their eyes… So, last August 2006, I became Mr. Mom. What I did not factor was how this would impact my creativity. My kids are in school from 8:30 to 2:30 most days, and all of a sudden I have time to write, create and practice again.

So, I set a goal to write an instrumental CD of all original songs. I wrote 4 songs really quickly, not really worrying about arrangements or instrumentation and just focused on melodies. Then the holidays kicked in… Family, parties, friends from out of town, and kid’s home from school. Needless to say… I did not get much writing done. Now it is January 2007, and I am ready to share my journey as I create my first instrumental CD titled “Sunset on the Carquinez”. Here we go…

Build Your Own Cat Toy — No Skills Required!

Saturday, March 29th, 2008

Ever wanted to build a toy for your cat but find you have no tools and no talent? With my New Improved Patented Cat Toy Design you too can build a toy for your cats despite your utter lack of skills and limited resources.
Step One: Order a large item from the Internet that will be shipped in a cardboard box. Here we’ve chosen a ceiling fan.
Step Two: Remove the large item and discard.
Step Three: Remove cat from box.
Step Four: Fold the two small flaps in and one large flap down leaving a small square opening near the bottom. Tape the flaps in place.
Step Five: With scissors cut several small holes, called Smacking Holes, around the sides and on the top of the box. The holes should be slightly larger than a cat’s paw.
Step Six: Add cat treats, toys and/or cat nip to the box to lure your cats in.
Step Seven: Sit back and giggle as your cats hide in and around the box smacking each other through the small holes you cut.
catcatscat humorcat comedycat toys

10 Days Out: Aug. 24-Sept. 2

Thursday, March 27th, 2008

(Compiled this week with help from Wayne Bledsoe, cuz Ramblin’ Man was on his honeymoon last week.)

AMELIA WHITE

Nashville-based country-rock singer-songwriter Amelia White, above, will perform at 8 p.m. today at the Time Warp Tea Room, 1209 N. Central St.

White’s latest release is titled “Black Doves.” The Time Warp is a smoke-free venue; admission is $6. For information, visit www.myspace.com/timewarptearoom.
Friday, Aug. 24

JO DEE MESSINA
Jo Dee Messina is a modern country star with an old school style. She had a truckload of hits, including “Heads Carolina, Tails California,” “Bye Bye,” “I’m Alright,” “Stand Beside Me” and “Bring On the Rain” and been an East Tennessee favorite for a many years.

Messina will perform under the stars at 7:30 p.m. at Dick Clark’s American Bandstand Music Complex, 149 Cates Lane, Pigeon Forge. Tickets are $19.95-$49. To reserve tickets, call 800-933-3066 or visit www.bandstandtickets.com.

Saturday, Aug. 25

ARMA SECRETA

Melodic Memphis indie-rock band Arma Secreta, above, will perform at 10 p.m. at 10 p.m. at Pilot Light, 106 E. Jackson Ave. in the Old City.
For song samples and information, visit the bands MySpace page at www.myspace.com/armasecreta.
North Carolina punk-rock band Dr. Powerful and Knoxvilles Black Sarah will also perform. Admission is $5.

Sunday, Aug. 26

A FEW GOOD MEN
There are two non-nuclear things that every person who visits Oak Ridge should do in order to have really visited the Atomic City: Go to Big Ed’s Pizza and attend the Oak Ridge Playhouse.

The courtroom drama “A Few Good Men” will be presented at 2 p.m. If you miss it you can still catch it on at 8 p.m. Friday and Saturday, Aug. 31-Sept. 1, or at 2 p.m. Sunday, Sept. 2.
The Oak Ridge Playhouse is located at 227 Broadway, Jackson Square. Tickets are $12-$18. To reserve tickets, call 865-482-9999 or visit www.orplayhouse.com.

Monday, Aug. 27

‘WAR’ WITH PEACE
Monday is always the best day to go out and see the movies that opened on Friday because the crowds are gone and no witnesses when you punch the people who answer their cell phones during film.

The mega-action picture “War” stars Jet Li and Jason Stratham and is exactly the sort of movie that the most obnoxious movie-goers would’ve seen on Friday so you can watch it in peace.

Tuesday, Aug. 28

ALICE IN WONDERLAND
Seeing Alice Cooper at the Tennessee Theatre is a truly unforgettable experience. It’s rock ‘n’ roll and Halloween in one of the most beautiful and best-sounding theaters in the South.

On Alice’s last trip to the Tennessee, he delivered all of his hits along with the many theatrical gimmicks (including the guillotine routine) and then some.

Alice performs at 8 p.m. Tickets are $42.50. For more information visit www.tennesseetheatre.com or www.alicecooper.com.

Wednesday, Aug. 29

MOVIES DOWNTOWN
Downtown Knoxville hasn’t had a first-run movie theater in decades. The Regal Cinemas Riviera Stadium 8 is letting patrons get a look at the new downtown theater this week with $1 admission to a raft of recent films before the theater opens with first-run movies on Friday.

The films include “Disturbia,” “300,” “Knocked Up,” “Meet the Robinsons,” “Evan Almighty” and “Oceans 13.” Popcorn and soft drinks are also $1 and the profits go to charity.

Thursday, Aug. 30

LADIES NIGHT WITH LUKE BRYAN

Country singer-songwriter Luke Bryan, above, will perform at 10 p.m. at Blue Cats, 125 E. Jackson Ave.

Known for his Capitol Records release “All My Friends Say,” Bryan was last in town playing the after-party following Dierks Bentleys concert earlier this year. This return show will offer free admission to ladies 18 and older, $3 for men ages 21 and older and $5 for men 18-20.
For information, visit www.bluecatslive.com.

Friday, Aug. 31

SHADOWWAX

Has your shadow seemed a little dull lately?

You might check with Knoxville band ShadowWax, below, for some tips at buffing it back to its natural luster. The metal act will perform with opening acts Down From Up and The Swear at 10 p.m. at Blue Cats, 125 E. Jackson Ave.

Saturday, Sept. 1

BLUES FOR FREE
Go to Damon Fowler Group’s MySpace page (www.myspace/damonfowlergroup) and you’ll see a long list of influences that range from Tom Waits to Donny Hathaway to Speedy West.

Listening to his music samples it sounds like he knows how to deliver a good bluesy time.

Fowler will perform with Spankydog at 7 p.m. at the Shed at Smoky Mountain Harley-Davidson, 1820 Lamar Alexander Parkway, Maryville. Admission is free.

Sunday, Sept. 2

WHOLE TOWN GO BOOM
This is the 20th anniversary Boomsday, which means over two decades enough explosives have been launched in downtown Knoxville to invade a pretty good sized country. We could have at least taken over Kentucky!

Last year’s Boomsday was a three-day event — two days too long. This year its back to the basics: Music, food and drink in the day and watching the sky, the bridge and even the Tennessee River explode at night. Vendors and such will set up on Neyland Drive beginning at noon. The firepower occurs sometime not too long before 10 p.m.

Dendreon and Provenge – The FDA Advisory Panel Meeting

Wednesday, March 19th, 2008

On Thursday, March 29 I attended an FDA Advisory Committee meeting to review, approve or disapprove a new cancer treatment by Dendreon called Provenge. This treatment, if approved, would be the first therapeutic vaccine for cancer to come to market – Provenge is targeted at advanced metastatic hormone refractory prostate cancer.

The room was packed, and the most nervous group of people were from Dendreon (DNDN), the company proposing the treatment for approval. The Dendreon folks were even more nervous than the terminally ill cancer patients in the room to testify.

This hearing made history in many ways as Provenge was approved, not just as the first of its kind of treatment, but also the first approval by the FDA for a drug that failed to meet its clinical endpoint to stated goals in trial.

The actual vote by the 17 panel members at the end of the long meeting was actually going against the company when a man whispered into the ear of the person running the meeting and the world (at least Dendreon’s world) changed, as did the vote, and a few minutes later the ninth yes vote was cast, the media relations person standing next to me from Dendreon began to show tears and some of the patients in the room began to think they might get a shot at living a bit longer.

Sounds overly dramatic? It was actually far more exciting than this – and, if you remember Mike Brown from FEMA, the man who went to dinner while the people of New Orleans drowned, I think he has a new home – the FDA – or perhaps at Dendreon. I am just joking but the level of screw ups by the FDA and Dendreon during the meeting was shocking, given the potential consequences – for DNDN, a business and billion dollars in market cap, for hundreds of thousands of patients, the possibility of a longer life.

Some background first. Provenge is a treatment, not a drug – an infusion of a patient’s own dendritic cells, activated at a Dendreon facility by treating it with Provenge, and these cells in turn stimulate T cells in a patient’s own immune system. Provenge is the first therapeutic cancer vaccine to be evaluated by the FDA. This created a very high bar for approval but that was only part of the problem.

Much worse was the paucity of data – Dendreon submitted data from two trials that had only 144 patients. But it gets worse than that – the trials failed to reach their stated goal or what is called clinical endpoint, reduction in the progression of the disease. And even worse than that (c’mon, this is fun), one trial had different results for the secondary endpoint – survival – than the other.

And therein lies the reason for approval – people did live longer. A secondary endpoint for the trial that has been called, by the FDA, the “gold standard

Renovating your house for moving Part 3

Tuesday, March 18th, 2008

Properly Hiring a Repair Person

Here are a few tips to make sure that your home renovation gets done properly and without complication.

1. Determine ahead of time how much money you are willing to spend on the project. Bring in several contractors and ask them for written estimates of the project. Depending on the average of the estimates, you may have to revise your initial budget. It may also turn out that you simply cannot realistically afford your renovation. It’s very important that you determine this early on.

2. If your municipal law requires, apply for a permit for the work being done. Having proper permits and inspections are one of the best defenses against unscrupulous home renovators. After it is finished, have all the completed work inspected so you are certain that it has been done professionally and that it meets current construction and building codes.

3. Insist on a coordinated work schedule with easily definable goal and a preset day to finish the job. In the work contract, include negative incentives if the work is not completed by this time. If a contractor or repair person will not agree to set times for a finish, it’s probably a good idea not to hire them.

4. Ask any repair person or contractor to provide you with a copy of their license or tradesman tickets, so that you are certain that the person doing your work is professionally qualified to do so. While it is true that some weekend handyman may be competent in certain areas, you are in much safer hands if they have an actual professional accreditation.

Tomorrow we will further talk about the best ways of hiring contractors and tradespeople, and what you can do to ensure that you minimize your chance of an unhappy renovation.

Tags: moving, home renovating, hiring contractors

Flag at half-mast

Sunday, March 16th, 2008

OK, let’s declare an interest first. Two episodes in and I have yet to be seen on the seven-part landmark BBC2 series British Film Forever, but I have been filmed for it, and hope to see my freakish face on those devoted to Social Realism, War and Comedy - or not. The people who produce the series are Good People (I have worked with them before), and Matthew Sweet, who writes the links, is a nice chap who also sits in on Radio 4’s Film Programme (see: entry on the other blog that nobody visits). At Radio Times I have been actively involved in promoting this series, and the British Summer Of Film it’s tied in with, all of which strikes me a something worthy of support (classic British movies being shown at Odeon cinemas all summer - a chance to see the likes of Henry V, The Wicker Man and Withnail And I on the big screen). However …

I’ve watched the first two episodes, Thrillers and Romance, and there’s no doubt that this is a major undertaking, the kind the BBC does best - a vast survey of British film in terms of genre, with a high calibre of interviewees: filmmakers and actors, mostly, but with an admirable bias towards the older generation, still with us, and with valuable contributions to make (the likes of Ronald Neame, Lewis Gilbert, Guy Hamilton, Jack Cardiff - all of whom I interviewed while on Back Row, due to my own prediliction for veterans with a unique viewpoint). The graphics are good. The clips are enjoyable. And the long running time (an hour and 40 minutes) allows for detailed dissections of individual films. But there are three things wrong with British Film Forever and I hope I’m not biting the hand that feeds me in pointing them out at this early stage:

1. The narration. It seems that Matthew Sweet’s brief was to “keep it light” - thus, we get a jokey tone throughout that seems almost embarrassed to take any of this silly cinema stuff too seriously. In the first episode there was a daft line about Harry Lime having something like “a strange taste in hats” (really?), and mention at one stage of something called “Cool Britanniadom” (sorry - is this Smash Hits?). The linking text should shed light, or contextualise, or provide information not provided by the talking heads, not demonstrate that the writer is awfully witty. Worse, Jessica Stevenson has been employed to voice the narration. Again, nothing against her, but the choice seems to have been made to soften the blow of a serious documentary; to make it more palatable; to get Spaced fans to watch it. (See also: Julian Rhind-Tutt, Seven Ages Of Rock, and Green Wing fans.) It’s not because she’s a women, but because she’s been directed to deliver it with dropped “t”s and “h”s, as if to remove any boring sense of authority. She’s just like you and me! The combination of the self-consciously casual writing with a recognisable comedy voice conspires to drag the seriousness of the analysis elsewhere to a much less challenging place. The voice sets the tone. The tone is one of, “This is not The World At War.” Why shouldn’t it be? It’s about art. It’s about social change. It’s about British history.

2. The spoilers. At Radio Times we are ultra-sensitive about spoilers. We even rejected the idea of a piece about Great Last Lines in Films last week as it might give away endings to people who, through no fault of their own, might not have seen every classic movie ever made. The same with our Movie Moment series - we never do the final scene, or a scene that gives away the ending, no matter how much of a classic the film may be. British Film Forever, despite positioning itself as “a laugh”, also wants to have its cake and eat it by treating its audience as if they were film studies students, where analysis of a film includes analysing the ending, because understanding is more important than entertainment, and because to study a film you must watch it first anyway. In a clips show, which is what this is, and one that’s part of a drive to get the audience to watch the associated films on the BBC and at Odeon cinemas, why give away the endings of the films? It’s actually vandalism. In the first episode we found out the precise endings - and were shown clips of them - to Brighton Rock, Get Carter and countless others, including (and this was a real crime), London To Brighton, which only came out last year and on DVD this year. It’s a small film, and a brilliant one, but as yet mostly unseen by a broader audience. Any of the two million tuning in last Saturday has now seen the ending. The actual ending! They’ve seen it! This is a huge own goal. Unforgiveable.

3. The Clips Show Disease. This is not a problem uniquely associated with this series, but it shows how much the Top 100 and 50 Greatest and Britain’s Favourite format has infected more serious documentary strands. The talking head format is not in itself inappropriate for this kind of histography. Indeed, the daddy of them all, The World At War, was powerful because of its talking heads - that is, its eyewitness testimony. Hearing from filmmakers and performers connected with the film or genre is absolutely right. As a viewer, I can also allow for film critics and academics, who can help to contextualise and offer a more critical view than the participants, who are bound to fall into luvviedom. (There, that’s my potential appearances in the future justified!) But really - and again no disrespect to these individuals - do we need to hear from John Sargeant? Or Jeremy Vine? Or Paul O’Grady? Or Phill Jupitus? Sure, these are film fans, but when you’ve got Michael Caine and Dickie Attenborough and Daniel Craig and Richard Curtis, shouldn’t their airtime be given precedence? Again, it’s cowardice on the part of the producers. “What if people turn over because they haven’t seen a jolly, familiar face off the telly for ten minutes?” Let them. I do not blame the makers of British Film Forever for this lapse in judgement - it’s a much wider problem with the way documentary is now presented on telly.

Rant over. I am grateful that the BBC have spent this much money on a seven part series on British film, and I will, like Seven Ages Of Rock, watch to the bitter end, but there’s something worrying about it. I’d value your thoughts on this matter, if you’ve seen the show, or if not, since it’s a general moan. (I think I’ve made it clear that my talking head will appear on the series, but I hope I’m not part of the problem, since I don’t make the programmes, I just appear on them when asked.)

Biofuel Cities analyses pure vegetable oil as an engine fuel

Sunday, March 16th, 2008

As part of its aim to support biofuel stakeholders through the provision of information, the Biofuel Cities European Partnership presents a frank analysis of the perhaps most controversial biofuel, Pure Vegetable Oil (PVO), in the first issue of its Biofuel Cities Quarterly newsletter. The Biofuels Cities European Partnership is a forum to share information on the development and use of biofuels for sustainable mobility, supported by the European Commission under the EU’s Sixth Framework Programme.

In the world of biofuels, PVO or straight vegetable oil (SV0), has often been portrayed as a practical, yet problematic option to meeting the needs for transport biofuels and this is reflected in its widely varying uptake across Europe. For example, in France and Italy use of PVO is more or less prohibited, while in Germany and Austria, it is the fuel of choice for a fleet of approximately 10,000 vehicles, including a large fleet of trucks and tractors.

The primary arguments for the promotion of PVO as a fuel include the fact that it can be produced decentrally, even by small farms or other agricultural units and it is immediately usable. Energy losses in the well-to-wheel chain are, therefore, low. Technology, also, has come to a level where vehicle modifications, necessary for emission reduction and engine protection, can be easily undertaken.

However, as a result of biofuels’ recently high profile, much discussion has been raised regarding emissions and engine compatibility. For example, under certain test conditions, PVO generates unacceptably high levels of carcinogenic emissions (earlier post). Still, when asked about this in the Biofuel Cities Quarterly interview, Dr. G. Gruber of the United Workshops for Plant Oil Technology stated that, ‘emissions from vegetable oil fuelled adapted engines are most probably less carcinogenic than emissions from diesel engines fuelled with conventional diesel or with biodiesel’.

Such controversies discussed across the entire biofuels community, show the relevance of PVO as a fuel, but also illustrate the various aspects under which biofuels must be analysed and compared, not only against conventional transport fuels, but also other biofuels.

Let us look at these issues more in depth. How is the oil produced, what does it take to run a car or a truck on it, and what does PVO’s emissions profile look like? How much PVO can the EU produce sustainably? And are there any import opportunities?

Decentralised production
Pure vegetable oil can be produced decentrally and is immediately usable. There is no lengthy manufacturing chain. This has two consequences: Firstly, even small agricultural units are able to produce fuel. This results in a stabilisation of agricultural structures, which is desirable for socio-economic and spatial-structural reasons. Secondly, the energy losses and required energy input from harvest on the field to filling of the tanks (well-to-tank losses) are the lowest of all biofuels:
energy :: sustainability :: biomass :: bioenergy :: biofuels :: pure vegetable oil :: straight vegetable oil :: emissions :: decentralisation :: efficiency :: EU ::
Pure vegetable oil has a by-product for which a large market exists; oil cake – a protein-rich product that can be used as a domestic animal feed, replacing imports of soy into the EU.

Vehicle modifications
The most fundamental argument against pure vegetable oil is that its low viscosity and low cetane number make it principally unsuitable for use in existing and future internal combustion engines. This is, however, disproved by some 10,000 vehicles running smoothly on pure vegetable oil once some vehicle modifications were undertaken.

The concepts for vehicle modification can roughly be broken down into two-tank and single-tank concepts.

Two-tank concept
Two-tank concepts overcome the principle difficulties of pure vegetable oil combustion by starting the engine with conventional diesel taken from one tank and then switching over step-by-step to higher content of vegetable oil taken from the other tank.

These concepts differ mainly in the sophistication of the control unit, which measures the temperature at different points of the engine and the fuel circuit and regulates the switch over between both fuels. Engine components in two-tank systems are generally little modified in comparison with standard diesel engines.

Single-tank concept
Single-tank systems allow engine starts with pure vegetable oil and require a modification of the engine itself. The components that are modified are essentially the fuel circuit and the injection system.

Modifying the engine, however, terminates the warranty of the original engine manufacturer, however some specialist vegetable oil engine workshops compensate this loss with an own-warranty on the modified motor.

PVO Emissions
Exhaust emissions are a major point of the debate. Engines that have not been converted to pure vegetable oil operation generally produce high emissions, above legal thresholds, when fuelled with vegetable oil. The exact level depends on the specific engine, as well as on the quality of the vegetable oil that is used. This has recently been highlighted on German TV, where emission measurements on nonadapted engines fuelled with vegetable oil, not corresponding to the existing German pre-norm DIN V 51605, were presented. The measured emissions were not only high, but have shown a higher mutagenicity of the particulates than for diesel in the AMES test, which is a quick method of estimating the carcinogenic potential of a substance.

Advocates of pure vegetable oil in Germany commented on the ‘perfect timing’ of this broadcast, which coincided with an important legislative debate on biofuels in Germany and stressed that the results presented tell nothing about converted engines running on pure vegetable oil. What can be learnt from this is that statements about pure vegetable oil – and other biofuels – are not untainted by the position of various interest groups and need to be examined more closely.

A modification of the engine, either as two-tank or singletank system changes the situation and suitably adapted engines can comply with the EURO-3- norm even when running with pure vegetable oil.

Lack of framework
The lack of a legal norm for vegetable oil fuel leadsto a paradoxical situation: in the course of the vehicle registration, the authorised workshops must measure the engine emissions with standardised diesel as test fuel, i.e. exactly with the fuel that will not be used in daily operation by the vehicle owner. Hence, this obligatory exhaust emission measurement tells nothing about the emissions under real operating conditions.

Even worse, the engine cannot be adapted for lowest possible emissions under vegetable oil operation, as this requires setting engine parameters, such that the emission tests with diesel fuel might fail. As a consequence, not all specialist workshops that offer diesel engine modification care about the emissions under real operating conditions with pure vegetable oil and those that do are impeded by the present legislation to reduce emissions to the lowest technically possible level.

Sustainable production of pure vegetable oil in Europe
A further point to be examined is the potential that exists for producing pure vegetable oil and how much this potential depends on (un)sustainable cultivation practices. Rapeseed oil, which is the presently most used vegetable oil in Europe, is difficult to cultivate organically, i.e. it requires energy input in the form of plant protection chemicals and mineral fertilisers.

In addition, the oil yield per hectare is low, at approximately 1,000 litres, whereas the cultivation of maize for the production of biogas or of energy plants for the production of sun fuels can lead to yields up to 4,000 liters per hectare.

However, three considerations put this comparison into perspective:
First, rape cultivation leads to a yield of about 2-3,000 kg of protein-rich oil cake in addition to the oil. Oil-cake can replace imports of soy for cattle feeding – an important aspect if one considers that the EU is a net importer of proteinrich animal food. The remaining straw can serve as additional fuel.Secondly, plant breeding has the potential to develop rape species that are more suitable for organic farming, the only fully sustainable form of agricultural production.Thirdly, other oil plants can be considered for producing engine fuels. Sunflower oil is also appropriate and is more suited to organic cultivation. An important opportunity for organically produced oil seeds in Europe, however, lies in companion cultures or mixed cropping. The method consists in cultivating oil plants like wild flax (Camelina sativa) simultaneously with cereals or legumes. This leads to synergy effects between the plants and allows a strong reduction in the use of plant protection agents, which is a large step towards organic farming by a simple change of the cultivation method. The yield of the main fruit, cereal or legume is not reduced, but is stabilised on average over the years. In addition to the main crop, 100 litre oil and 200 to 300 kg oil cake are gained per hectare. As huge areas in Europe are used for cereal production, the potential for producing pure vegetable oil is about 60 petajoule. This is only 60 % of the German biodiesel use in 2006, but can be produced without running into competition with food production and – due to synergy effects – at almost zero cost.

Oil import options
There are a lot of other oils that could be taken into account for the development of vegetable oil engines. Coconut and palm oils, for example, are suitable for the use in CHPs. In hot countries, the oil is also suitable for mobile use. However, the risk of possible deforestation of the tropical rain forest for the cultivation of palm oil plantations requires that caution be exercised, if sustainability criteria are to be met.

The most interesting (sub)tropical oil plant is jatropha, which has numerous advantages. Firstly, jatropha is not in competition with food production. Jatropha grows in arid and semi-arid regions and is used in hedges to protect fields from goats. The plant stabilises the groundwater level and can even deal with a certain salt content. Jatropha has not been cultivated very much until now, however a number of pilot projects have been implemented to produce jatropha oil as an engine fuel. It seems to be well suited for converted engines. In this respect, jatropha even has advantages over sunflower oil. The engines that have been converted for rapeseed oil need only a few changes to run on jatropha oil.

Challenges ahead
In summary, one can say that pure vegetable oil can be considered as an engine fuel. It is most suitable for applications that require few starts of the engine, i.e. engines used in hot countries, hybrid engines and engines used for long distances or longer constant loads, such as tractors and other agricultural machinery.

The environmental-friendly nature of pure vegetable oil make it suitable for applications in environmentally sensitive areas. From a logistics point of view its low flammability is a strong advantage, as the risk of explosion is almost zero.

The potential for pure vegetable oil does not allow to replace a major part of the presently used mineral fuels, but is large enough to make an important contribution to the biofuels market. In particular, pure vegetable oil has by-products that can be used for animal feed (oil cake) or may not compete with food production at all (oils from mixed cropping). Specific advantages of pure vegetable oil include the fact that it can be produced in small units, allowing income generation for farmers, who profit from the whole value-creation chain and that very little energy losses occur in the process chain from seeds to oil.

The challenges to be met are oil quality, definition of standards for emission measurements, breeding of suitable oil plants and engine conversion. A European standard for pure vegetable oil needs to be defined and, when the vehicle is intended to be run on vegetable oil, emission measurements need to be taken with pure vegetable oil in the tank.

Research and development is needed on plant breeding for vegetable oil, and engine conversion. A European standard for pure vegetable oil needs to be defined and, when the vehicle is intended to be run on vegetable oil, emission measurements need to be taken with pure vegetable oil in the tank.

Research and development is needed on plant breeding for vegetable oil use as fuel. In particular, oils with a low iodine number, i.e. high oleic acid content and low linoleic and linolenic acid content are required and corresponding species need to be bred. In addition, the research and development of engine concepts that until now been carried out by a few small technology development companies needs to be intensified.

The perspective of an engine supplier
An interview with Dr. G. Gruber, who runs a leading company adapting diesel engines to run on PVO, tells us more about the efficiency and the cost of such modifications. The company is called ‘United Workshops for Plant Oil Technology’, Vereinigten Werkstätten für Pflanzenöltechnologie (VWP), and has modified more than 4000 engines. Within the EU-Fifth Framework Programme funded project “100% RENET”, VWP managed to realise the breakthrough of the adherence to the EURO-3-Norm for passenger cars, as well as the first use of plant oil in a small combined heat and power unit (CHP) with soot filter.

Is pure vegetable oil actually a motor fuel or not? The automobile industry says it is not, but your company has lived on the business of pure vegetable oil engines for 14 years now and you have already converted more than 4,000 vehicles. How do these positions reconcile with each other?

The answer is very simple: It is problematic to use vegetable oil as a fuel for mobile applications. This is related to the enormous variability of its viscosity within the operating temperature range and its low flammability and cetane number.

After fuelling a modern standard diesel engine with pure vegetable oil, for certain the engine will be ruined – exceptions might prove the rule. Pure vegetable oil is not a fuel for the currently serially produced diesel engines. Unfortunately, already here the perception of many people and institutions comes to an end. It is, thus, our challenge to demonstrate that with an appropriate adaptation of the engine, for which we have developed and applied concepts successfully for 14 years, an engine can run perfectly between pure vegetable oil and any blend with conventional diesel.

Having this is mind, why is the rumour that plant oil is categorically not suitable as an engine fuel so persistent?

This is due to the fact that a lot of companies offer concepts for the conversion of engines that are poorly conceived. As a consequence, the engines may be damaged and at the very least emissions may reach unjustifiably high levels.

Dr. G. Gruber also answers some questions on the emissions of PVO. One of the main points of those opposed to the utilisation of plant oil as an engine fuel is the accusations that this would result in high emissions. Asked by Dr. Michael Stöhr, of INEM/B.A.U.M., what the norms for exhaust gases are that may be reached by engines converted by Gruber’s company, he answered as follows:

For new passenger cars this is the EURO-4. The main challenge is cold starting, which is compulsory for all exhaust-gas tests for passenger cars. These make it very difficult to reach EURO-4- and -5 norms with vegetable oil. There is still a lot of research to do. As tractors normally operate at constant load, there is no legally regulated testing with cold starts for tractors. Instead of this, a test with eight different load and idle steps is carried out. Our company reached the TIER 3 norm for tractors at the beginning of this year. This norm is valid for diesel, as well as for vegetable oil until 2011. Besides, the possibility of achieving the TIER 4 norm also exists.

Measurements, broadcast recently on German TV, have shown that emissions from vegetable oil-fuelled vehicles are much more carcinogenic than emissions from diesel.

But Gruber says hese measurements have been made on a non-adapted motor with vegetable oil of unknown quality. They teach us nothing about emissions from engines adapted to vegetable oil. Quite the opposite. We know about measurements that show that the opposite is true: emissions from vegetable oil-fuelled adapted engines
are most probably less carcinogenic than emissions from diesel engines fuelled with conventional diesel or with biodiesel.

Biofuel Cities
Biofuel Cities is a European project to build and maintain a European Partnership, a platform in which participants can share all that they need to make progress in the implementation of biofuels. For instance, a few dozen European local car or bus fleets have been, or are, shifting from regular fuels to biogas, pure biodiesel or almost pure ethanol.

Through the Biofuel Cities European Partnership, all participants can share information and experience to profit from this.

Within Biofuel Cities you can find information and partners, start a discussion, address barriers and create new initiatives. Biofuel Cities was created to accelerate developments leading up to an increased use of biofuels in Europe.

The Biofuel Cities European Partnership is an EU-funded project. The project involves
seven project partners: SenterNovem (Netherlands, project coordinator) and Exergia (Greece), ICLEI - Local Governments for Sustainability, INEM, the World Federation of National Business Associations for Environmental Management, the Institute for Fuels and Renewable Energy (Poland), NEN, the Dutch Standardisation Institute (Netherlands) as well as VITO, the Flemish Institute for Technological Research (Belgium). The organisations ICLEI and INEM operate world-wide.

Thanks to Ciara Leonard.

References:
Bockey, D. (2006): Current situation and prospects for biodiesel and vegetable oils as fuels: From niche products to market players [*.pdf], Berlin.

Haupt, J. & D. Bockey (2006): Running vehicles successfully on bio-diesel. Product quality requirements for FAME [*.pdf], Berlin.

Kampman, B., den Boer, E. & H. Croezen (2005): Biofuels under development [*.pdf]. Delft. (An analysis of currently available and future biofuels and a comparison with biomass application in other sectors).

Website of EPPOA - European Pure Plant Oil Association.
Information on pure plant oil on the SenterNovem website.

Website of VWP – Vereinigte Werkstätten für Pflanzenöltechnologie.

Eder B. & F. Eder (Staufen 2004): Pflanzenöl als Kraftstoff. Autos und Verbrennungsmotoren mit Bioenergie antreiben.

Website on the EU Strategy for Biofuels.

Country reports on implementation of the EU’s Biofuels Directive.

The European biofuels technology platform.

The EUBIONET II – European bioenergy network analyses current and future biomass fuel market trends and biomass fuel prices.

PREMIA investigates the effectiveness of support programmes to facilitate and secure
the market introduction of alternative motor fuels in the European Union.

Inbound/Outbound Content Checking Technology Can be Employed for Internal Inventories

Friday, March 14th, 2008

Many vendors now offer products that check that data (email messages, email attachments, HTTP Posts, instant messages) crossing the Internet boundary does not violate regulations, policy, or constitute data theft by an employee or hacker.

The sophisticated data analysis and matching technology employed by these products can also be employed by crawlers that inspect data stored on a variety of shared internal repositories. E.g., they can scan file servers, web servers, databases, and message stores.

This capability is valuable. E.g., it can show where confidential information resides, and possibly also whether it is accessible by internal staff that shouldn’t have such access. Expect vendors of boundary content analyzers to start providing this repository scanning capability. An early example is Vontu, with its Vontu Discover (http://www.vontu.com/news/release_detail.asp?id=313) subsystem, scheduled for September release.

David Ferris and Nick Shelness

Defeat, sound of

Thursday, March 13th, 2008

This is what defeat sounds like …

… in Phnom Penh former Cambodian prime minister Sirik Matak wrote to John Gunther Dean, the American ambassador, turning down his offer of evacuation:

Dear Excellency and Friend:

I thank you very sincerely for your letter and for your offer to transport me towards freedom. I cannot, alas, leave in such a cowardly fashion. As for you, and in particular for your great country, I never believed for a moment that you would have this sentiment of abandoning a people which has chosen liberty. You have refused us your protection, and we can do nothing about it. You leave, and my wish is that you and your country will find happiness under this sky. But, mark it well, that if I shall die here on the spot and in my country that I love, it is no matter, because we all are born and must die. I have only committed this mistake of believing in you [the Americans].

Please accept, Excellency and dear friend, my faithful and friendly sentiments.

S/Sirik Matak Prince Sirik Matak and the officials that remained along with him, were executed by the Khmer Rouge on April 21, 1975, in Phnom Penh.

Cross Posted to The Daily Brief.

catching up: yesterday's column, real doll rape part two

Wednesday, March 12th, 2008

Image via.

Note: this was a two-part series for my Open Source Sex Chron column that (I think) reads best together, in sequence. Here’s Rape of the Real Doll Part One, and here’s a snip from the rest — Rape of the Real Doll Part Two:

IDollators are seen by Swanson as “not being able to have romantic relationships or whatever — or that desire for companionship as well as to enact violent fantasy.” “Lars and The Real Girl” is already being called “Capra with creep factor” and a film “about a blow-up doll delusion.” So the assumption here is that anything feminine and sexually receptive (indistinguishable for many people) is just “asking for it” (i.e. rape and/or the enactment of non-consenting violent sexual fantasies). And that like those dated porn-viewer stereotypes of men in raincoats, male sexuality is never less than one degree away from delusion, powerlessness over self-control and violence.

Pretty much everyone gets that these dolls are being used for sex — even if the sex itself is treated lightly (if at all), as evidenced in a PG-13 rating for “Lars and the Real Girl.” In other cases, the actual act of sex with a lifelike doll is detailed in graphic and snarky humor, as with Grant Stoddard’s 2004 Nerve.com story “I Did It For Science: Sex Doll” (nerve.com/Regulars/ididitforscience/SexDoll). Here Stoddard peruses a few Web sites and basically has a one-night stand — OK, a maybe a 15-minute daytime quickie — with a RealDoll prototype. Throughout the piece, Stoddard’s fascination and arousal are liberally laced with his own profound discomfort (”Grabbing her hand, I shrieked. Karen’s skeleton was discernible through her flesh, just like a real person’s. Regaining my composure, I moved my hand between her legs.”). In his conclusion, he rates the experience well and brackets it within the context of sexual fantasy, though to him the main advantage seems to be a partner who won’t resent male selfishness, as in, a fantasy partner who’ll never say no.

No matter what, it’s difficult for media perception to escape labeling what’s going on with the dolls as some sort of female degradation. But ask the iDollators themselves, and you might get a different story. (…) Link.